Skip to main content

Allatonceness Project: 夜路 Walking into the Night

夜路 Walking into the Night MV

In tribal societies we are told that it is a familiar reaction, when some hideous event occurs, for some people to say, "How horrible it must be to feel like that," instead of blaming somebody for having done something horrible. This feeling is an aspect of the new mass culture we are moving into — a world of total involvement in which everybody is so profoundly involved with everybody else and in which nobody can really imagine what private guilt can be anymore.

- McLuhan, p. 61


    Walking into the Night is a song Roger and I thought it should be a traditional Jazz depicting a woman walking on the street at night. The feeling of fear being followed or being gazed is something that women still cannot get rid of in nowadays. There is a kind of freedom that women can hardly enjoy.


    However, with writing out the lyrics, I realized that this feeling can be generalized to everyone. We are all under the controls of something else, and it could be the governments, society, media, others, etc. The "involvement" drives us into a collectiveness, sharing all of our sentiments, but also deprives people of privacy. It is quite a paradoxic topic that how we should confront and balance individualism and collectivism. 


Unhappily, we confront this new situation with an enormous backlog of outdated mental and psycho- logical responses. We have been left d-a-n-g-l-i-n-g. Our most impressive words and thoughts betray us— they refer us only to the past, not to the present. 

- McLuhan, p. 63

Comments

Popular posts from this blog

Experimental Video: The Past is Never Dead

The Past is Never Dead  The idea of the video is inspired by the game series called Rusty Lake.  Logo of the game series When I read "march backwards into the future" by McLuhan, Rusty Lake was the first thing I thought of. It uses a surrealistic and symbolic narration to depict the relationship between the past, present, future and the inescapable fate. “The past is never dead. It’s not even past.”  ― William Faulkner I used this quote from Rusty Lake in the video, originally from the novel Requiem for a Nun by William Faulkner. As we move ever forward into the future, we cannot predict the future, but can only see the past. When the past becomes a memory, becomes a fact, it also becomes a destiny; and when we face the future - in fact, we face the past - we still cannot escape the shackles of fate. Water, trees, and tarot cards symbolize destiny, and although the tarot can tell fortunes, the predictions are still the reflection of the past. The scenes in the video, except

Me, Museum, Poetry, and Music

Our “Age of Anxiety” is, in great part, the result of trying to do today’s job with yesterday’s tools  - with yesterday’s concepts.   --- McLuhan, p.9          Even after about 50 years of the publication of The Medium is The Massage, we have not get out of from such “age of anxiety”. We are still “crossing barriers, erasing the old categories…”(McLuhan, 10)       It is anxious to change my academic focus from psychology to museums in the third year, and it is anxious to reconsider the nature of museums. It is always hard to cross barriers, to say goodbye to yesterdays. From today’s views, museums must be yesterday’s things. For me, a museum is more than a physical collection of artifacts, but an interactive space where thoughts, aesthetics, and emotions at different times blend and connect with the mind of visitors, constituting an inspiring journey in search of beauty and meanings in life.     Fred Wilson's museum intervetions Fred Wilson enlightens me to look at exhibits in a c